Jaymz Watkins Strategy

Trademarks/Alternate Finishers:

The Killdozer - Double-Arm DDT delivered in conjunction with dropkicking the opponent's legs out from under him; if the Rational Gaze doesn't work, he'll use this to virtual 100% effectiveness; basically, Rational Gaze = Last Ride from 2002-ish, Killdozer = Tombstone from the same time
Under Pressure - Mandible Claw Sleeper, applied in various creative ways; submission finisher
Red Barchetta - Cobra Clutch Lungblower
Massive Critical - KENTA's Busaiku Knee Kick
The Trendkiller - Front Tazplex Brainbuster (formerly Miracle Suplex); this move functions as Randy Orton's punt does, very rarely used, but "crippling"
Running Big Boot (Test) (you don't need to capitalize it, either; it's not a special name)

Strikes: Traditional punches and kicks, martial arts kicks, European Uppercut, chops, rolling elbow, clothesline, wheel kick, superkick, Shining Wizard, and so on

Suplexes: Vertical, Stalling Vertical, Belly-to-Belly Overhead, Release Northern Lights, Release German, Gutwrench, Backdrop Suplex, Release Tiger, Release Dragon, Release Half Nelson, Tazplex, Sleeper Suplex, and so on

Slams/Bombs: Powerbomb, STO, Oklahoma Slam, Body Slam, Fall Away Slam, DDT, Splash Mountain Bomb, Spinebuster, Capture Spinebuster, Sleeper Drop, and so on

Submissions: Triangle Choke, Sleeper Hold, Cobra Clutch, Camel Clutch, Surfboard Stretch, Side Leg Lock, Headlock, Seated Chin Lock, Rear Naked Choke, and so on

Corner: Chops, Superplex, traditional strikes, Super Miracle Suplex(rare)

Aerial: Missile Dropkick, Moonsault, Shooting Star Press (rare), Flying Sleeper Drop (rare), Flying Massive Critical (rare)

Counters: Sensible use of the above moves, often peppering in some ingenious ad-libbing.

Stunner, made more potent by yanking the opponent down by the hair (unless they're a baldie like TK)

INSERT COMMENTARY WHEREVER/HOWEVER

(The lights in the arena go dark, and the crowd starts to murmur in anticipation. On the screen, a countdown from ten begins in very blocky video game letters, a loud, stylized clock sound as it counts; the crowd knows who it is, and explodes into boos. Strange music begins to play along with the clock sound; the countdown hits five, at which point the word MAGICS appears emblazoned in the background for about half of a second, and the screen blacks out again, the strange music stopping, also. Shapes begin to line the stage area, slightly and eerily glowing in the blackness. The strange music returns, building in intensity until it reveals itself by transforming into Katy Perry’s “E.T.” The lights rock back on in a series of obnoxious neon colors, and the words KING JAYMZ fill the screen. The shapes on the stage are in fact people, covered in neon paint and fiber optic pieces that play hell on the eyes in the light of the neon glow. They all begin dancing together in a choreographed piece that oozes with sexuality. The screen underscores their dance with images of both Watkins’s history in the WWA and weird imagery that may or may not also be sexual in nature. The crowd has none of it, booing with everything they have.)

You're so hypnotizing
Could you be the devil? Could you be an angel?
Your touch magnetizing
Feels like I am floating, leaves my body glowing

They say be afraid
You're not like the others, futuristic lover
Different DNA
They don't understand you

(Finally, Jaymz Watkins steps out onto the stage, adorned in his tophat, skull facepaint, custom jacket, and wrestling attire. The biggest shit-eating grin ever covers his countenance as he walks through the throngs of dancers. The amount of boos is disgusting.)

 You're from a whole other world

A different dimension
You open my eyes
And I'm ready to go, lead me into the light

(As the song leads into the chorus, Watkins holds one hand aloft, waggling all five fingers. The dancers surround him; he lowers the “magic” hand quickly and drops to one knee. Right as the song hits the chorus, the dancers collapse to the stage as one; Watkins leaps to air, thrusting the five-fingered hand back up and a massive and obnoxious line of pyro erupts around the outside of the screen. Watkins continues walking to the ring, grinning even bigger now.)

Kiss me, ki-ki-kiss me
Infect me with your love and
Fill me with your poison
Take me, ta-ta-take me
Wanna be a victim
Ready for abduction

Boy, you're an alien
Your touch so foreign
It's supernatural
Extraterrestrial

(Watkins reaches the ring and rolls beneath the ropes, before climbing the nearest turnbuckle and bowing low. He hits all the turnbuckles as such, before removing the jacket and hat and handing them off to a ring attendant. He stretches a bit, preparing for the match as the music fades out.)

There are two major advantages Jaymz has versus just about any person on the WWA roster: balance and endurance.

Jaymz is, for lack of a better word, a "matchup nightmare." His preferred style is a hard-hitting one, as he\'s one of the bigger guys on the roster, but he can drop to the mat and wrestle a technical clinic, and can fly with the highest of fliers, adjusting the level of each of these based on the opponent.

The Trials Jaymz has been and will be subjected to, both from Randy Cross and from the rest of his WWA tenure, have given him arguably the strongest aspect of his style, his endurance. Jaymz isn't the best wrestler or brawler or flier, but he just might be the hardest man to put down in the entire WWA. Coupled with the near limitless power and energy he seems to generate with the "Fifth Magic," it takes a hell of an effort to take the Cajun down.

During the match itself, Watkins will taunt with the "magic hand." A LOT.